May 1809 Fashion for Ladies and Gentlemen
Plate 23. – Ball Dress
5th November 2024
My blogs for the next few months will be extracts from Ackermann’s Repository of Arts, Literature, Commerce, Manufacture, Fashion and Politics. I will be concentrating on the fashion plates published each month and the description.
Rudolph Ackermann was born in Saxony on 20th April 1764. He was the sixth child of Barthel Ackermann, a saddler, and his wife, Justina Scharschmidt.
He married Martha Massey (1769–1811) in 1792. They had nine children.
Ackermann became an apprentice saddle to his father in 1779, but his greatest wish was to draw and become a designer. He moved to Dresden to follow his dream, where he trained as a carriage designer.
In 1785, Ackermann found employment at the carriage-making firm of Simons in Brussels. Two years later, he and Martha arrived in London. They set up their home at 7 Little Russell Street, Covent Garden.
Now in London, Ackermann could concentrate on publishing, and in 1795, he opened his first print shop and drawing school. He sold prints, books, and artist materials and exhibited paintings. In 1797, he moved to larger premises at 101 Strand.
In 1809, he released his first edition of Ackerman’s Repository of Arts, Literature, Commerce, Manufacture, Fashion and Politics. The Repository documented the changing styles of fashion in dress and furniture of the Regency era. This appeared monthly until 1829 when forty volumes had appeared.
Ackermann died on 30 March 1834 in Finchley, London.
13 Dec 2024 15:58
Plate 23. – Ball Dress
NOTE: All text used on this blog is true to the word of each edition of Ackermann’s Repository of Arts, Literature, Commerce, Manufacture, Fashion and Politics.
White satin dress, with purple body, and long sleeves slashed at the top; bows of purple ribbon down the front. Mantle of purple, lined with white silk, bordered with gold, and edged with swandown. Gold net cap with white feathers. White shoes, gloves, and fan. Necklace, ear-rings, and other ornaments, of gold.
The prevailing colours for both dress and morning coats, are dark blue, olive, and bottle green, with silver and gilt basket buttons; long waist and short skirt: but upon the whole, the fashionable coat is very short, and must not come lower than within four inches of the knee. The lapels are rather long, and come even with the hip buttons. The collar is made high, thinly padded, and to fall back two inches.
The dress coat has round cuffs without buttons, with pockets under flaps: the morning coat, sleeves with slits, and three large buttons. The sleeves are worn very long.
The waistcoat is single-breasted; flaps, with small regimental skirts; the collar within that of the coat: it is made of striped Marcella, of various shades, but buff colours are the most fashionable. Breeches, of a light drab colour, made rather long and tight. For pantaloons, the stuffs generally worn are double-milled stockings and Prince of Wales’s striped kerseymere.
A tunic of lilac silk, clasped down the front with gold ornaments; a cloak of the same colour attached, so as to untie closely behind, but to fall loose over the shoulders; fixed on the shoulders with golden ornaments; the cloak is lined with white or straw- coloured silk, and ornamented with a border of gold. Bonnet and boots of the same colour. Raised spotted muslin under-dress, with loose sleeves, bound at the arms and wrist. Gold necklace, and York tan gloves.
Red cloaks are at length completely abandoned, and we congratulate our lovely readers on their emancipation from the most despotic dress that ever was introduced by the whimsical and arbitrary goddess of fashion. The writer of this article predicted, on their first appearance, that the colour so disadvantageous to beauty, could never become prevalent.
‘Let them,” said he, “enwrap themselves with an immense blaze of red, it will come to nothing at last.” And so it has turned out: our promenades presented us with an assemblage of pallid and ghastly spectres, who, through “forbidden to tell the secrets of their prison-house,” carried about with them the visible signs of torture, and appeared literally robed in flame.
Pea-green is a colour generally introduced in spring, for what reason we know not, except it be intended to harmonize with the verdure with which, at this season, all nature is beginning to be clothed, though some may doubt whether a notion of harmony ever entered the inventive brain of the fashionable dress-maker. However this may be, we must enter our decided protest against it; and we entreat our fair reader not to adopt a colour so directly in opposition to good taste, and in which no face or form, be it majestic as Juno, or beautiful as Hebe, can appear with advantage and effect. Lilac, purple, all the varieties of blue, with still greater varieties of grey, are open to their choice. If green must be selected, let it be the deep and rich hue of the Spanish fly, rather than that worst and vilest of all colours, pea-green.
Mr. Adair’s treaty with the Sublime Porte will doubtless introduce amongst our spring fashions a profusion of Turkish turbans, Janizary jackets, mosque slippers, and thousand similar whimsicalities; all of which (provided a northern coalition be accomplished) must speedily give way to Russian cloaks, hussar caps, Cossack mantles, Danish robes, &c. &c, so that by setting on of dog-days, our ladies will stand a chance of being arrayed in complete costume of all the shivering nations of the north. Such is the capricious system introduced and acted upon in the empire of the despotic goddess of fashion! When shall the dress of the British fair be established upon the simple and unerring principles of nature? and when shall those principals be adopted as the barometer of good taste? We have not the vanity to promise ourselves the complete accomplishment of these objects, but to that end all our endeavours shall be directed. Nothing shall appear in our pages but what is strictly compatible with good taste, so that while we discover and expose errors, we will not be wanting in our endeavours to point out the remedy.
NOTE: All text used on this blog is true to the word of each edition of Ackermann’s Repository of Arts, Literature, Commerce, Manufacture, Fashion and Politics.
Plate 10. - Ladies Walking Dress
A Polish cap, and pelisse of silver grey cloth, trimmed with gold or silver, buttoned down the front with small round buttons, a high collar with a lace ruff; boots of the same colour as the pelisse, and both embroidered with gold or silver. York tan gloves.
This dress was transmitted to a lady of high rank from Warsaw, and would alone evince the taste and elegance of ladies of that country, were they not already sufficiently known.
Evening Dress
The reigning colours for this month are claret and corbeau, with plain, flat, silk buttons; the coat rather long in the waist, and short in the skirts, double-breasted, with lapels, high collar, thin padding, and to fall back full three inches; the pockets under the cross flaps cuffs five inches and a half long, with three buttons at top.
Waistcoats are made of white Marseilles and fancy silks, single-breasted, with narrow flaps, rather long. Breeches of drab silk hose, not made very high; the knee-band low, with four or five buttons at the knee. They are made rather tight.
Morning Dress
The coats worn for morning dress are generally of dark colours and sage mixed, single-breasted, with short regimental skirts, no flaps, pockets in the plaits of the skirts, high collars, stitched narrow, and to fall back about three inches. Buttons either gilt, or silver basket, or moulds covered with cloth.
Waistcoats double-breasted, made of silk striped Valentia.
Is consequence of the excessive advance in the price of superfine cloths and kerseymeres, the leaders of the haut ton have resolved to revive the fashion of wearing leather breeches and boots, which some years since so particularly distinguished English gentlemen from mechanics and servants.
The preceding observation were communicated to us by Messrs. Austey and Saxe, South Molton-street.
Henry the Eight hat of purple velvet trimmed with pearls, a dress of the same colour, with a white satin front with large white round pearls; a white satin Spanish mantle trimmed with swandown; white shoes and gloves, pearl ear-rings and necklace, white and silver fans.
The prevailing colours this month are rose, green, and purple of various materials, silk, satins, and plain velvets, ornamented with gold and silver, pearls, or embroidery. Satin caps and hats, with short white feathers are generally worn. Small morning or walking hats, trimmed with silk frivolity, are an entire new and very elegant article. Mantles and pelisses of various forms are still much worn for morning dresses. White is again become the favourite colour, and great variety is displayed in the materials and form. Flowers are now beginning to appear again in morning and evening caps. The most fashionable style of wearing the hair is in ringlets à la Ninon; the shoes are embroidered in gold or silver for dress, and for undress in silk, chenille, or ribbon.
We have the pleasure to inform our fair readers, that the fashions for the present month have been again furnished by Madame Lanchester, whose taste and elegance stabd so high in the estimation of the fashionable world.
NOTE: All text used on this blog is true to the word of each edition of Ackermann’s Repository of Arts, Literature, Commerce, Manufacture, Fashion and Politics.
An Egyptian head-dress of silver and pearls, one point falling on the left shoulder, finished with a tassel; the hair is loose ringlets; pearl ear-rings, bracelets and necklace; a train dress of brocaded sarsenet, trimmed with silver and vandyked; lace around the neck in form of a tucker, long sleeves of Mecklin or Brussels lace; white gloves and fan; shoes the same as the dress, of brocaded silk, with silver bows
In gentlemen’s dress there is little variation since our last number.
The head ornamented with bandeaus of frosted gold; gold necklace, ear-rings, armlets; white satin opera dress, trimmed all round with gold, tied in the front with gold cord and tassel; white satin shoes, trimmed with gold, and gold buttons in front; white gloves, and fauedged with gold.
The prevailing colours for mantles and pelisses are gold, orange, and Bishop’s blue; for ball and full dresses, satins, tissues, brocaded silks, and velvets are generally worn, trimmed with gold and silver; —Henry VIII. hats, trimmed or embroidered with beads, gold, silver or chenille, are becoming and fashionable; feathers of various colours to correspond are likewise much worn. For morning dresses, bombazeens are coming into fashion; the prevailing colour, dark, purple, or Bishop’s blue.
Madame Lanchester (St. James’s street) has furnished the designs of the fashion with her usual taste.
NOTE: All text used on this blog is true to the word of each edition of Ackermann’s Repository of Arts, Literature, Commerce, Manufacture, Fashion and Politics.
Plate 1. - Walking Dress
A polished bonnet, and mantle of gold-coloured velvet, with an invisible hood trimmed with ermine; an antique collar fastened with a gold ornament in front, in form of a shell. Morning dress, white muslin Brussels spot, with a worked stomacher, trimmed down the front and at the bottom; worked long hanging sleeves, twisted and fastened at the wristband with a small gold ornament, of the same form as that which fastens the mantle and cincture of the dress; sandals of gold-coloured cloth, laced with brown cords and tassels; York tan gloves.
FASHION FOR GENTLEMEN
The prevailing colours are dark brown and bottle green. The coat for evening dress is cut rather long in the waist, and short in the skirts, double breasted, with pointed lappels, corresponding in length to the hip button; the lapels are padded to fall back with the collar, which is made pretty high and stitched narrow, the collar to fall back about an inch and half; deep pockets under the cross flaps; the cuffs round.
The morning dress is made in nearly the same manner, only the pockets are in the plaits of the skirt, and the cuffs are either round or with a flap and three buttons.
The buttons are either gilt basket, or moulds covered with cloth.
Waistcoats are made single breasted, with a small flap about two inches lower than the coat lapel. Breeches are not made so high by two or three inches as they were, and kneel-band extends almost to the calf of the leg, with four buttons at the knee; they are made very tight: and pantaloons are pretty generally ornamented up the sides with brade.
Plate 2. Evening Full Dress
A white satin Spanish hat, with a diamond loop and Spanish plume; diamond ear-rings and necklace; the hair full, in ringlets; a white satin dress, full-trimmed with blue velvet, with a lace medicis round the back and shoulders; an antique stomacher ornamented with diamonds mounted in gold; white satin shoes with gold bows; white gloves and fan.
General Observation
January 1809
Nacaratt royal purple and gold are the most prevailing colours for pelisses and mantles, which are made of various materials, cloth, velvet, brocade, sarsenet, and satin, according to the fancy of the wearer. Head ornaments —Spanish hats, and caps decorated with feathers, flowers, pearls, or diamonds, according as the occasion requires. Morning dress, cloth, sarsenet, Brussels spotted muslin, trimmed with embroidery, Evening dress, satin, velvet, brocade, sarsenet, with gold or silver ornaments, and trimmings.
It is almost unnecessary to add, that the design and description of the ladies’ fashions in this month, are under the direction of Madame Lanchester, whose taste in the department of ladies’ dress and female ornaments, is well known as to render any eulogium unnecessary.
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